Culture Group at A*CR

139 items.

• Review: Under Our SkinJoseph Healy · 19 February 2026
• Careless PeopleIan Parker · 25 March 2025
• If I Must Die11 March 2025
• Industry Series 3 – “Everyone’s Collateral, Right?”Dave Kellaway · 24 October 2024
• Surrealism as a revolutionary movementMichael Löwy · 13 September 2024
• Sport and Cis‑RealismIan Parker · 9 August 2024
• Peter Kennard – The Art of ProtestDave Kellaway · 31 July 2024
• Now You See Us – Women Artists in Britain 1520‑1920Dave Kellaway · 8 June 2024
• Burn Out: The Emotional Experience of Political DefeatHel Spandler · 5 June 2024
• Creeping DoppelgängersParis Wilder · 21 May 2024
• Yoko Ono – Music of the MindDave Kellaway · 18 May 2024
• Non Binaries and Anti‑Zionists. Eurovision Song Contest 2024Joseph Healy · 13 May 2024
• The American Society of Magical NegroesIan Parker · 29 April 2024
• More 3 Body ProblemsIan Parker · 8 April 2024
• Perfect days.. (no) shit happens?Dave Kellaway · 5 March 2024
• This Ibsen Adaptation Forces Us to Confront Our Failing SystemSimon Hannah · 27 February 2024
• Philip Guston (1913‑1980) bearing witness to brutality and injusticeDave Kellaway · 3 February 2024
• Divas – What are they good for?Dave Kellaway · 1 February 2024
• Queering in the End TimesRowan Fortune · 22 January 2024
• Gaza: A Film that Humanises a PeopleDave Kellaway · 16 January 2024
• Sea of Troubles Connects the Bloody Dots from Mediterranean to GazaTony Richardson · 3 January 2024
• Women in Revolt – art and activism in the UK 1970 to 1990Dave Kellaway · 31 December 2023
• My top five reads of 2023Simon Pearson · 25 December 2023
• A World in Common – Contemporary African PhotographyDave Kellaway · 13 December 2023
• The ArrestSimon Pearson · 21 April 2023
• This Land Is Whose Land? Indian Country and the Shortcomings of Settler ProtestMali Obomsawin · 19 April 2023
• Dijiu tianchang (So Long my Son): A Poignant Portrayal of Human Resilience and Political Change in ChinaGregor Benton · 5 April 2023
• Defying Expectations: A Gripping Exploration of Policing and Gender in a Murder CaseTony Richardson · 3 April 2023
• Rise, Roar, Revolt on filmIan Parker · 27 March 2023
• The Wrong Sort of Jew: A Play Exposing Labour’s Antisemitic PurgeRoland Rance · 27 March 2023
• Everything Everywhere for EveryoneIan Parker · 13 March 2023
• Women’s abstract art ‘re‑discovered’Dave Kellaway · 13 March 2023
• Sylvia – feminism through song and dance (or Sylvia hip hops)Ian Parker, Terry Conway · 10 March 2023
• Challenging Capitalism: Perspectives from Anti*Capitalist ResistanceAnti*Capitalist Resistance, Simon Pearson · 9 March 2023
• Alice Neel, painter and anarcho humanist, 1900‑1984Dave Kellaway · 6 March 2023
• Fly in League with the NightDave Kellaway · 16 February 2023
• Saint Omer…a woman has killed her babyDave Kellaway · 13 February 2023
• Queer Tolstoy and anti‑authoritarian struggle todayJavier Sethness Castro · 13 February 2023
• Jack’s Manchester storyDave Kellaway · 10 February 2023
• Till – film which resonates down the yearsAndy Richards · 3 February 2023
• Lydia TárIan Parker · 26 January 2023
• The Forgotten Women of Surrealism: A Magical, Short Animated FilmCheri Gaulke · 18 January 2023
• Netflix’s “Farha” is a mild depiction of the NakbaJonathan Ofir · 27 December 2022
• “The Territory” (a review)Allan Todd · 20 December 2022
• The American Surveillance StateTony Richardson · 18 December 2022
• Andor – Resistance and Rebellion (a review)Simon Hannah · 14 December 2022
• Women Making ModernismDave Kellaway · 14 December 2022
• Dodo Modern PoetsAnti*Capitalist Resistance, Dodo Modern Poets · 13 December 2022
• Triangle of Sadness (a review)Allan Todd · 11 December 2022
• The World Cup has exposed the bankruptcy of the Abraham AccordsMitchell Pitnick · 8 December 2022
• The Banshees of InisherinNigel Mulligan · 5 December 2022
• Booker Books 2022Ian Parker · 27 November 2022
• Crosscurrents and the Force of Nature – Winslow HomerDave Kellaway · 22 November 2022
• The English – a Western that tells the truthDave Kellaway · 15 November 2022
• Qatar World Cup, not just about the footballDave Kellaway · 15 November 2022
• Vin au Bord de la Mer (Wine by the Sea)Joseph Healy · 6 November 2022
• A Very British ConspiracyTony Richardson · 6 November 2022
• Free Albania (not)Ian Parker · 2 November 2022
• Secrets of a holiday islandDave Kellaway · 22 October 2022
• One hundred years of the BeebMark Perryman · 18 October 2022
• TitanicJoseph Healy · 6 October 2022
• Whatever Happened to Antisemitism?Tony Richardson · 19 September 2022
• A Caribbean Carnival of protestDave Kellaway · 19 September 2022
• “Total, BP or Shell will not voluntarily give up their profits. We have to become stronger than them…”Andreas Malm · 14 September 2022
• The Quiet Girl (An Cailín Ciúin)Nigel Mulligan · 13 September 2022
• Diary of a Pandemic Shop Steward 2022Joseph Healy · 8 September 2022
• Communization future histories: Everything for EveryoneIan Parker · 17 August 2022
• Why so Political?Rowan Fortune · 7 August 2022
• Hard Work, Balance, LoyaltyRowan Fortune · 27 July 2022
• Trotsky, the Passionate RevolutionaryAllan Todd, Dave Kellaway · 14 July 2022
• Marxist, Nationalist, Feminist: The Art and Politics of Frida KahloKacper Grass · 13 July 2022
• 50 years of PrideJoseph Healy, Tori West · 2 July 2022
• ‘It were them the cause not you’Dave Kellaway · 29 June 2022
• ‘A SMALL BUT VERY USEFUL BOOK’Tony Richardson · 15 June 2022
• To Understand Elon Musk, You Have to Understand This ’60s Sci‑Fi NovelJordan S. Carroll · 30 May 2022
• This Is England 2022Sean Taylor · 29 May 2022
• Don’t extradite Julian AssangeDave Kellaway · 20 May 2022
• When Netflix Started Making Television, Television Got WorseJacob Ures · 17 May 2022
• Migration, homesickness and the Arab StreetJoseph Healy · 16 May 2022
• Nogu Svelo! – Anti‑War song10 May 2022
• Cultural destruction – why it mattersMike Phipps · 10 May 2022
• Psychologising PicardIan Parker · 9 May 2022
• Poignant Poetry Reading at the National Covid Memorial Wall.Joseph Healy · 3 May 2022
• Inside Putin’s RussiaIan Parker, Ilya Budraitskis · 26 April 2022
• Audiences as performers – Lubaina HimidDave Kellaway · 22 April 2022
• No perfect Lenin: Review of ‘Revolutionary Collective’Simon Hannah · 21 April 2022
• Vietnam in balloons and panelsHank Kennedy · 7 April 2022
• She Who Must Not Be NamedRowan Fortune · 15 March 2022
• NHS under the knifeDave Kellaway · 12 March 2022
• Covid – In MemoriamJoseph Healy · 10 March 2022
• Stone Men: The Palestinians who built IsraelTony Richardson · 3 March 2022
• Defend Ukraine, defend the planetRed-Green Labour Editorial Board · 3 March 2022
• Sporting and cultural boycott of Putin’s RussiaDave Kellaway · 28 February 2022
• Surrealism beyond bordersPhilip Kane · 26 February 2022
• Falling DownTony Richardson · 24 February 2022
• Losing your home, losing yourselfDave Kellaway · 18 February 2022
• Questioning the Whiteness of Western ArtDave Kellaway · 15 February 2022
• Desire International – Russian LGBTQ Art at Pushkin HouseJoseph Healy · 7 February 2022
• The Ottomans, 500 years of changeTony Richardson · 3 February 2022
• PARALLEL MOTHERSTony Richardson · 31 January 2022
• Belfast24 January 2022
• My favourite films during Covid in 2021Tony Richardson · 23 January 2022
• Anne – Justice for the Hillsborough 97?Dave Kellaway · 19 January 2022
• Whitechapel Noise: politics, sex, and religion in London’s East End 1884‑191415 January 2022
• The Lost Daughter – the wounds of MotherhoodDave Kellaway · 12 January 2022
• Rescued from history, Rome’s dissident communist partisansDave Kellaway · 7 January 2022
• Bring Him Down6 January 2022
• ALL IN ALL, IT’S JUST ANOTHER BRICK IN THE WALL!John Richardson · 5 January 2022
• 5 of the best TV dramas this yearDave Kellaway · 1 January 2022
• When Comic Books Threatened the U.S.A. (and the world)Hank Kennedy · 30 December 2021
• An Anthropology of Marxism: ReviewFouad Mami · 28 December 2021
• Don’t Look Up: The planet is already burningIan Parker · 28 December 2021
• West Side Story againIan Parker · 23 December 2021
• Five films I liked from 2021Dave Kellaway · 21 December 2021
• Poem of the month: IGNORANCE IS STRENGTHBob Williams-Findlay · 21 December 2021
• Afghan lessonsDave Kellaway · 20 December 2021
• Book review 2021: Five old crackersIan Parker · 17 December 2021
• House of Gucci saved by Lady Gaga?Dave Kellaway · 14 December 2021
• Cultural roundupSimon Pearson · 3 December 2021
• How Richard Williams made two of the greatest tennis championsDave Kellaway · 2 December 2021
• Response to Neil FaulknerJohn Molyneux · 30 November 2021
• In praise of Manchester Art Gallery – helping people look at art differentlyDave Kellaway · 30 November 2021
• Shakespeare, Trotsky, and the Nature of ArtNeil Faulkner · 24 November 2021
• Poem of the MonthPaul A N Battye · 11 November 2021
• The Midwife’s Song5 November 2021
• Human rights ‘sportswashed’ as Saudis take over Newcastle UnitedDave Kellaway · 30 October 2021
• Little Amal Meets AliceTony Richardson · 29 October 2021
• Capitalism without a Human FaceRowan Fortune · 27 October 2021
• Anish Kapoor: PaintingTony Richardson · 25 October 2021
• Windrush artwork in Hackney is a worthy legacyDave Kellaway · 24 October 2021
• Surrealism Beyond BordersPhilip Kane · 22 October 2021
• Hidden HandsAnti*Capitalist Resistance · 11 October 2021
• Poem of the Month – bogJoseph Healy · 7 October 2021
• Bond – is it still the same story?Dave Kellaway · 6 October 2021
• ‘Without Agenda’ – an exploration of both gender and art with speaker Sacha Coward (video)Anti*Capitalist Resistance · 28 September 2021
• Jihad and the British empireNeil Faulkner · 22 September 2021
• After Covid: Rebuilding the Arts & Culture Sector9 September 2021
• My Cultural HighlightsSimon Pearson · 6 September 2021
• No More Privatisation14 July 2021